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Cinderella Man: James J. Braddock, Max Baer, and the Greatest Upset in Boxing History, by Jeremy Schaap
Ebook Free Cinderella Man: James J. Braddock, Max Baer, and the Greatest Upset in Boxing History, by Jeremy Schaap
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A riveting tale of perseverance in the face of hardship, Cinderella Man is the chronicle of the boxer James J. Braddock, whose exceptional story of achievement against all odds was the subject of a major motion picture. Braddock, dubbed the Cinderella Man, staged the greatest comeback in fighting history, rising in the span of twelve months from the relief rolls to a face-off against the heavyweight champion, Max Baer.
Against the gritty backdrop of Depression-era New York, Schaap paints a vivid picture of the fight world in its golden age, evoking a time when boxing resonated with a country trying desperately to get back on its feet.
- Sales Rank: #280886 in Books
- Published on: 2006-04-10
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .87" w x 5.25" l, .85 pounds
- Binding: Paperback
- 336 pages
From Publishers Weekly
In retelling the story of a near-impossible sports comeback in 1935, Schaap intricately chronicles the history of boxing during the Depression. Jimmy Braddock, an Irish-American heavyweight who began his career as a light heavyweight, was determined to win the title until a series of jinxes hit: the stock market crashed, he broke his dominant hand and a succession of losses crushed his spirit. Schaap, host of ESPN's Outside the Lines, goes into captivating detail on the brawny, reserved Braddock, who, at his lowest moments, was reduced to living off government relief and doing grueling work on the Hoboken, N.J., docks. But the story is as much about Max Baer, the lovably clownish and handsome heavyweight Braddock defeated as a 10-to-one underdog. The account is inspiring: no one ever thought Braddock would come back, especially against Baer, who'd previously killed two men in the ring. Braddock succeeded with the help of his manager, the short, fast-talking Joe Gould; the two were "the sport's favorite odd couple." Boxing enthusiasts will be more than satisfied by Schaap's meticulous account, which includes round-by-round details of the fight, as well as profiles of other fighters of the era. Not overly emotional, the story hits a nerve at just the right moments and features many of the same elements that made Seabiscuit a hit. Photos.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Just a few months removed from receiving welfare to supplement his income as a dockworker, a small, slow, washed-up fighter became heavyweight champion of the world. James J. "Cinderella Man" Braddock's life makes a heck of a story, but there hasn't been a biography of him in decades. Schaap, an ESPN veteran, portrays Braddock as a man of his time. After a promising start in the late 1920s, Braddock--a lovable family man with three kids--ended up as broke and beaten as the country. But with the help of a fast-talking manager whose passion for the sport was equaled only by Braddock's own, the fighter managed to emerge from his Great Depression to make an improbable run at the title, culminating in the defeat of the gargantuan Max Baer in 1935. Like a SportsCenter puff piece, Schaap's account can get repetitive and doesn't always delve deep. But the fights here are crisply drawn, and Braddock's upsets have that Hoosiers thrill factor. Plus, it's refreshing to find a boxing story where the right guy wins, nobody cheats, and most everyone lives happily ever after. John Green
Copyright © American Library Association. All rights reserved
From the Inside Flap
Includes a one-hour interview from 1970 with boxing legend James Braddock!
Lost in the annals of boxing is the sport's true Cinderella story. James J. Braddock, dubbed "Cinderella Man" by Damon Runyon, was a once promising light heavyweight for whom a string of losses in the ring and a broken right hand happened to correspond with the Great Crash. With one good hand, Braddock was forced to labor on the docks of Hoboken. Only his manager, Joe Gould, still believed in him, finding fights for Braddock to help feed his wife and children. The diminutive, loquacious Jew and the burly, quiet Irishman made one of boxing's oddest couples, but together they staged the greatest comeback in boxing history. In less than twelve months Braddock went from the relief rolls to face heavyweight champion Max Baer, the Livermore Butcher Boy, renowned for having allegedly killed two men in the ring. A charismatic, natural talent and in every way Braddock's foil, Baer was a towering opponent, a Jew from the West Coast who was famously brash and made great copy both in and out of the ring. A ten-to-one underdog, Braddock carried the hopes and dreams of the working class on his shoulders. And when boxing was the biggest sport in the world, when the heavyweight champion was the biggest star in the world, his unlikely upset made him the most popular champion boxing had ever seen.
Against the gritty backdrop of the Depression, Cinderella Man brings this dramatic all-American story to life, evoking a time when the sport of boxing resonated with a country trying desperately to get back on its feet. Rich in anecdote and color, steeped in history, and full of human interest, Cinderella Man is a classic Davidand Goliath tale that transcends the sport.
"From the Compact Disc edition.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Much better than the Movie, and a truly wonderful story about a wonderful human being
By Capricorn One
Before reading this book I was vaguely familiar with James J. Braddock as someone interested in boxing, especially Heavyweights. As a side note, that essentially stopped several years ago when boxing degenerated into an alphabet soup set of "champions" and it became hard to maintain any interest in the sport, but I digress. I had seen the movie "Cinderella Man," based on this book, so I was curious about those things in Braddock's life that Movies always have to cut out, or change. So my first comment is that, as much as I liked the movie, the movie has only a slight resemblance to this real life story. Much was left out (obviously due to screen time constraints), but also much was changed. This book provides much more background and life story information about Braddock than the movie could ever show, and it's all good and written very well. The author details Braddocks struggles (and successes) not only in the ring but in life, drawn vividly against the Great Depression. Braddock was a rock solid, hard working, honest, and honorable man. He personified the Horatio Alger story, in which good things happen to those who are good people and work hard at being so. The book also serves as an in-depth reference and insight into what many call the glory years of boxing, with names like Jack Dempsey, Jim Corbett, Max Schmeling, Joe Louis, Primo Carnera, Max Baer, and others. Max Baer is portrayed completely differently than in the movie. In the movie he was a wiseguy smart aleck who had killed two men in the ring. In the book, he was basically a reasonably nice guy with immense physical gifts but very little interest in boxing. The fight between Baer and Braddock for the Heavyweight Championship is completely different than in the movie. The movie angle is admittedly more dramatic, but in reality Baer had not trained hard for the bout, aimed for a knockout in the early rounds, and Braddock stayed away from his big right hand until Baer tired after the 7th round and Braddock mounted up the points - and also gave Baer a pretty good beating. It was not a one punch fight as essentially portrayed in the movie. Braddock's story is compelling. It transcends his life from an early young light heavyweight with a strong chin, a good right hand, and not much else at 21 years old to a washed up, broken handed, on-relief dock worker at 29. But through perseverance, hard work, a love of and dedication to boxing, and a faithful manager (rare in those days, or any days) who never lost hope in him, Braddock finally got a shot again at the championship and real-life had a fairy tale ending. This is truly a 'feel good' book and story, and even better it's true. I enjoyed it immensely.
0 of 0 people found the following review helpful.
A Cinderella Story During Depression Era America
By Brad Patten
Jeremy Schapp does yeoman's work in capturing the backdrop and specifics which lead to James Braddock sensational upset of Max Baer to win the world heavyweight boxing title. This event may well be the most significant upset in the history of boxing. The question is, " how did this happen?" "Cinderella Man" answers that question in spades. The book not only captures the family histories and private lives of Braddock and Baer but also their managers, agents and promoters. Schapp does a great job of capturing the impact of the economic strains and constraints of depression era America and their impact on life, sports in general and boxing in particular. If anyone likes to enjoy a really interesting, good guy story, with a happy ending "Cinderella Man" will meet you needs. A terrific read !
10 of 10 people found the following review helpful.
Admiring tribute to a great comeback fighter
By Mr. Joe
James J. Braddock wasn't a great Heavyweight Champ; he lost the title in his first defense bout after he'd won it. But his is, perhaps, the greatest comeback story of 20th century pugilism. The CINDERELLA MAN had heart.
Author Jeremy Schaap's book begins with the commencement of Braddock's comeback in June 1934 with his victory over "Corn" Griffin. Jim's last previous fight had been nine months earlier, at the end of which, with a right hand that had been repeatedly broken and numerous defeats under his belt, he was thought to be washed up. To the point of the Griffin match-up, he was barely able to feed his family with odd jobs on the New York and New Jersey docks and welfare help; it was the Depression, and Braddock's fortunes were at their rock bottom. Then, Schaap regresses in time to the period 1926-33 when Jim fought as a light heavyweight, almost winning that title in 1929. The author alternates the early Braddock saga with the same for the 1929-1934 career of Max Baer, who won the heavyweight title from Primo Canera, also in June 1934, thus setting up the confrontation that established Jim's fame and won him the heavyweight crown, the Braddock-Baer bout in June 1935.
Schaap's summaries of Braddock's eighty-three fights and Baer's forty-seven prior to their epic battle are, almost by necessity in a volume of only 276 pages, spotty in detail, yet are sufficient to establish the two fighters' characters. There is an adequate section of photographs, as well as the complete ring records of both Braddock and Baer and a complete listing of all the heavyweight division champs since John L. Sullivan. (Who is Hasim Rahman, champ in 2001, for Pete's sake?!)
For a boxing aficionado, CINDERELLA MAN is perhaps, despite its relative brevity, a must read. For those who otherwise couldn't care less about the sport, then viewing the excellent 2005 film CINDERELLA MAN, starring Russell Crowe in the title role, is the preferred, shorter option that provides all the basics. The visual version skips the preliminaries, starts with Braddock's last fight in 1933, his and his family's descent into near destitution, his enduring relationships with his wife Mae (Renee Zellweger) and manager Joe Gould (Paul Giamatti), his comeback contests versus Griffin, Lewis, and Lasky, and his win by decision over Baer in 15 gritty rounds.
Though it wasn't the author's intent, I gather, it was Baer's personality that came across as the more intriguing, at least for me. Max was a hard-punching, underachieving champ who fell more in love with the perks of his achievements - the fame, women, fine clothes, good food, showmanship - than with the commitment to his profession and hard work necessary to stay at the top. It's one of his quotes that stays with me:
"Listen, I don't want to be one of those champions who fights once a year. I need to fight. Dames are expensive." Truer words were never spoken.
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