Rabu, 29 Juni 2011

[D826.Ebook] Ebook Free Cinderella Man: James J. Braddock, Max Baer, and the Greatest Upset in Boxing History, by Jeremy Schaap

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Cinderella Man: James J. Braddock, Max Baer, and the Greatest Upset in Boxing History, by Jeremy Schaap

A riveting tale of perseverance in the face of hardship, Cinderella Man is the chronicle of the boxer James J. Braddock, whose exceptional story of achievement against all odds was the subject of a major motion picture. Braddock, dubbed the Cinderella Man, staged the greatest comeback in fighting history, rising in the span of twelve months from the relief rolls to a face-off against the heavyweight champion, Max Baer.

Against the gritty backdrop of Depression-era New York, Schaap paints a vivid picture of the fight world in its golden age, evoking a time when boxing resonated with a country trying desperately to get back on its feet.

  • Sales Rank: #280886 in Books
  • Published on: 2006-04-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .87" w x 5.25" l, .85 pounds
  • Binding: Paperback
  • 336 pages

From Publishers Weekly
In retelling the story of a near-impossible sports comeback in 1935, Schaap intricately chronicles the history of boxing during the Depression. Jimmy Braddock, an Irish-American heavyweight who began his career as a light heavyweight, was determined to win the title until a series of jinxes hit: the stock market crashed, he broke his dominant hand and a succession of losses crushed his spirit. Schaap, host of ESPN's Outside the Lines, goes into captivating detail on the brawny, reserved Braddock, who, at his lowest moments, was reduced to living off government relief and doing grueling work on the Hoboken, N.J., docks. But the story is as much about Max Baer, the lovably clownish and handsome heavyweight Braddock defeated as a 10-to-one underdog. The account is inspiring: no one ever thought Braddock would come back, especially against Baer, who'd previously killed two men in the ring. Braddock succeeded with the help of his manager, the short, fast-talking Joe Gould; the two were "the sport's favorite odd couple." Boxing enthusiasts will be more than satisfied by Schaap's meticulous account, which includes round-by-round details of the fight, as well as profiles of other fighters of the era. Not overly emotional, the story hits a nerve at just the right moments and features many of the same elements that made Seabiscuit a hit. Photos.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Just a few months removed from receiving welfare to supplement his income as a dockworker, a small, slow, washed-up fighter became heavyweight champion of the world. James J. "Cinderella Man" Braddock's life makes a heck of a story, but there hasn't been a biography of him in decades. Schaap, an ESPN veteran, portrays Braddock as a man of his time. After a promising start in the late 1920s, Braddock--a lovable family man with three kids--ended up as broke and beaten as the country. But with the help of a fast-talking manager whose passion for the sport was equaled only by Braddock's own, the fighter managed to emerge from his Great Depression to make an improbable run at the title, culminating in the defeat of the gargantuan Max Baer in 1935. Like a SportsCenter puff piece, Schaap's account can get repetitive and doesn't always delve deep. But the fights here are crisply drawn, and Braddock's upsets have that Hoosiers thrill factor. Plus, it's refreshing to find a boxing story where the right guy wins, nobody cheats, and most everyone lives happily ever after. John Green
Copyright © American Library Association. All rights reserved

From the Inside Flap
Includes a one-hour interview from 1970 with boxing legend James Braddock!
Lost in the annals of boxing is the sport's true Cinderella story. James J. Braddock, dubbed "Cinderella Man" by Damon Runyon, was a once promising light heavyweight for whom a string of losses in the ring and a broken right hand happened to correspond with the Great Crash. With one good hand, Braddock was forced to labor on the docks of Hoboken. Only his manager, Joe Gould, still believed in him, finding fights for Braddock to help feed his wife and children. The diminutive, loquacious Jew and the burly, quiet Irishman made one of boxing's oddest couples, but together they staged the greatest comeback in boxing history. In less than twelve months Braddock went from the relief rolls to face heavyweight champion Max Baer, the Livermore Butcher Boy, renowned for having allegedly killed two men in the ring. A charismatic, natural talent and in every way Braddock's foil, Baer was a towering opponent, a Jew from the West Coast who was famously brash and made great copy both in and out of the ring. A ten-to-one underdog, Braddock carried the hopes and dreams of the working class on his shoulders. And when boxing was the biggest sport in the world, when the heavyweight champion was the biggest star in the world, his unlikely upset made him the most popular champion boxing had ever seen.
Against the gritty backdrop of the Depression, Cinderella Man brings this dramatic all-American story to life, evoking a time when the sport of boxing resonated with a country trying desperately to get back on its feet. Rich in anecdote and color, steeped in history, and full of human interest, Cinderella Man is a classic Davidand Goliath tale that transcends the sport.

"From the Compact Disc edition.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Much better than the Movie, and a truly wonderful story about a wonderful human being
By Capricorn One
Before reading this book I was vaguely familiar with James J. Braddock as someone interested in boxing, especially Heavyweights. As a side note, that essentially stopped several years ago when boxing degenerated into an alphabet soup set of "champions" and it became hard to maintain any interest in the sport, but I digress. I had seen the movie "Cinderella Man," based on this book, so I was curious about those things in Braddock's life that Movies always have to cut out, or change. So my first comment is that, as much as I liked the movie, the movie has only a slight resemblance to this real life story. Much was left out (obviously due to screen time constraints), but also much was changed. This book provides much more background and life story information about Braddock than the movie could ever show, and it's all good and written very well. The author details Braddocks struggles (and successes) not only in the ring but in life, drawn vividly against the Great Depression. Braddock was a rock solid, hard working, honest, and honorable man. He personified the Horatio Alger story, in which good things happen to those who are good people and work hard at being so. The book also serves as an in-depth reference and insight into what many call the glory years of boxing, with names like Jack Dempsey, Jim Corbett, Max Schmeling, Joe Louis, Primo Carnera, Max Baer, and others. Max Baer is portrayed completely differently than in the movie. In the movie he was a wiseguy smart aleck who had killed two men in the ring. In the book, he was basically a reasonably nice guy with immense physical gifts but very little interest in boxing. The fight between Baer and Braddock for the Heavyweight Championship is completely different than in the movie. The movie angle is admittedly more dramatic, but in reality Baer had not trained hard for the bout, aimed for a knockout in the early rounds, and Braddock stayed away from his big right hand until Baer tired after the 7th round and Braddock mounted up the points - and also gave Baer a pretty good beating. It was not a one punch fight as essentially portrayed in the movie. Braddock's story is compelling. It transcends his life from an early young light heavyweight with a strong chin, a good right hand, and not much else at 21 years old to a washed up, broken handed, on-relief dock worker at 29. But through perseverance, hard work, a love of and dedication to boxing, and a faithful manager (rare in those days, or any days) who never lost hope in him, Braddock finally got a shot again at the championship and real-life had a fairy tale ending. This is truly a 'feel good' book and story, and even better it's true. I enjoyed it immensely.

0 of 0 people found the following review helpful.
A Cinderella Story During Depression Era America
By Brad Patten
Jeremy Schapp does yeoman's work in capturing the backdrop and specifics which lead to James Braddock sensational upset of Max Baer to win the world heavyweight boxing title. This event may well be the most significant upset in the history of boxing. The question is, " how did this happen?" "Cinderella Man" answers that question in spades. The book not only captures the family histories and private lives of Braddock and Baer but also their managers, agents and promoters. Schapp does a great job of capturing the impact of the economic strains and constraints of depression era America and their impact on life, sports in general and boxing in particular. If anyone likes to enjoy a really interesting, good guy story, with a happy ending "Cinderella Man" will meet you needs. A terrific read !

10 of 10 people found the following review helpful.
Admiring tribute to a great comeback fighter
By Mr. Joe
James J. Braddock wasn't a great Heavyweight Champ; he lost the title in his first defense bout after he'd won it. But his is, perhaps, the greatest comeback story of 20th century pugilism. The CINDERELLA MAN had heart.

Author Jeremy Schaap's book begins with the commencement of Braddock's comeback in June 1934 with his victory over "Corn" Griffin. Jim's last previous fight had been nine months earlier, at the end of which, with a right hand that had been repeatedly broken and numerous defeats under his belt, he was thought to be washed up. To the point of the Griffin match-up, he was barely able to feed his family with odd jobs on the New York and New Jersey docks and welfare help; it was the Depression, and Braddock's fortunes were at their rock bottom. Then, Schaap regresses in time to the period 1926-33 when Jim fought as a light heavyweight, almost winning that title in 1929. The author alternates the early Braddock saga with the same for the 1929-1934 career of Max Baer, who won the heavyweight title from Primo Canera, also in June 1934, thus setting up the confrontation that established Jim's fame and won him the heavyweight crown, the Braddock-Baer bout in June 1935.

Schaap's summaries of Braddock's eighty-three fights and Baer's forty-seven prior to their epic battle are, almost by necessity in a volume of only 276 pages, spotty in detail, yet are sufficient to establish the two fighters' characters. There is an adequate section of photographs, as well as the complete ring records of both Braddock and Baer and a complete listing of all the heavyweight division champs since John L. Sullivan. (Who is Hasim Rahman, champ in 2001, for Pete's sake?!)

For a boxing aficionado, CINDERELLA MAN is perhaps, despite its relative brevity, a must read. For those who otherwise couldn't care less about the sport, then viewing the excellent 2005 film CINDERELLA MAN, starring Russell Crowe in the title role, is the preferred, shorter option that provides all the basics. The visual version skips the preliminaries, starts with Braddock's last fight in 1933, his and his family's descent into near destitution, his enduring relationships with his wife Mae (Renee Zellweger) and manager Joe Gould (Paul Giamatti), his comeback contests versus Griffin, Lewis, and Lasky, and his win by decision over Baer in 15 gritty rounds.

Though it wasn't the author's intent, I gather, it was Baer's personality that came across as the more intriguing, at least for me. Max was a hard-punching, underachieving champ who fell more in love with the perks of his achievements - the fame, women, fine clothes, good food, showmanship - than with the commitment to his profession and hard work necessary to stay at the top. It's one of his quotes that stays with me:

"Listen, I don't want to be one of those champions who fights once a year. I need to fight. Dames are expensive." Truer words were never spoken.

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Jumat, 24 Juni 2011

[K213.Ebook] Download Ebook Unraced...: Formula One's lost cars, by Sam Collins

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Unraced...: Formula One's lost cars, by Sam Collins

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Unraced...: Formula One's lost cars, by Sam Collins

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Unraced...: Formula One's lost cars, by Sam Collins

Formula 1, the worlds most popular motor sport, from a totally new perspective … Hidden in workshops around the world lie forgotten and abandoned machines – unfulfilled. These purpose built cars have never started a race, never felt the excitement of a grand prix. Yet they define an era of Formula One, changing the landscape. Unraced tell the stories of nine grand prix cars that never started. An exciting and fresh look at F1 from the Author of Autodrome. The Unraced are largely forgotten or overlooked but the stories they have to tell reveal more about the sport than any championship winner, and or the first time these stories are told in a refreshing style, backed up with 150 photos, many never published before. The book covers Honda RC100/RC1.5x (1993-1995), Lola T95/30 (1995), DAMS GD-01 (1995), Honda RC2x (1995-1996), Dome F105 (1996), Lola T97/30 (1997), Honda RA099 (1999), Premier1 prototype (2001), McLaren MP4/18 (2003) and also includes a listing of all F1 projects (raced & unraced) from 1995 – 2005. This book is completely incomparable and a must have for any motor sport enthusiast.

  • Sales Rank: #3495359 in Books
  • Brand: Brand: Veloce
  • Published on: 2007-05-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .38" w x 10.00" l, 2.08 pounds
  • Binding: Hardcover
  • 128 pages
Features
  • Used Book in Good Condition

Review

"Anyone who is genuinely interested in Formula 1 will want to read this work, as they know that the sport is made up of more than just he cars driven by those on the podium." – Australian Classic Car

Australian Classic Cars, April 2008

Review by Patrick Quinn
Australian magazine
Circulation: unknown

The history of motor sport and especially Formula 1 is littered with cars that were designed with great enthusiasm but never quite made the grade. Some actually arrived on the grid while some others never left the workshop. This book is about cars that were built for the 3-litre formula that ended in 2005 but never made a mark for themselves or achieved victory. Frankly, I was surprised at the major players involved and honestly expected to read about cars built by unknowns. However, there were cars from Toyota, Honda, McLaren and Lola that are now sadly parked away gathering dust, overtaken by technology or simply found lacking. Other manufacturers include Dome from Japan, the French DAMs team and the Premier F1 car designed by English constructor Reynard.

The historical detail author Collins provides is very extensive and the photos used, both of the cars when new and today, make this an engaging book. Anyone who is genuinely interested in Formula 1 will want to read this work, as they know that the sport is made up of more than just the cars driven by those on the podium.



Russell Jaslow for autoracinghistory.com, September 2007, US website

If a Formula 1 car was built and raced, chances are it is documented in detail in some book or website. Technical specifications, designers, the drivers who raced it, complete qualifying and race records. Everything you wanted to know about that car can be found somewhere. But, what about those Grand Prix cars that were built but never raced? They fall through the historical record keeping cracks. Sam Collins saves some of those cars from obscurity in his Unraced ... Formula One's Lost Cars.If you enjoy a tale, sometimes a mysterious one, about success and failure, this book is for you. Collins delves into the background of six aborted designs: DAMS GD-01, Dome F105, Lola, Honda RC2x, Toyota TF101, and McLaren MP4/18. It also talks about the Premier 1 Grand Prix prototype, the marketing exercise of forming a Grand Prix series linked with top soccer clubs, a concept that appears to have been resurrected. He concludes with a chapter on interim cars, test beds that were never made to race. It's a concise book of just over 100 pages, with many photos.I found it an interesting read that gave proper credit to those cars and efforts that at least deserved some mention within the history of Grand Prix design. It makes me wonder about any other unraced cars from different eras of F1. Maybe Sam Collins can fill us in on those someday. 

Octane, July 2007 - UK magazine

Here's an intriguing footnote to F1 history: nine cars from the 1993-2003 era that never actually raced. Ranging from the big names – Honda, McLaren – to the less well known (Premier 1's abortive attempt to link football clubs with F1 ...), their stories are accompanied by rare photos.
                                                                                                                                            

Autoracinghistory.com, September 2007

“If you enjoy a tale, sometimes a mysterious one, about success and failure, this book is for you.”

About the Author
Sam Collins has been involved with motor sport at all levels since he was a teenager, starting in Formula One on work experience with Williams in 1997, through to club racing. Currently he is Deputy Editor of the worlds leading journal of motor sport technology Racecar Engineering, a position that gives him unique access to the inner workings of international motor sport. Sam has always been more interested in cars than drivers and recently authored the best selling Autodrome, the lost race circuits of Europe.  He lives in Beckenham, Kent, London.

Most helpful customer reviews

0 of 0 people found the following review helpful.
unreadable!!
By Michael Pumpkininadinnerhead
This book may be the best written , most interesting book in the world but it is unreadable on a kindle . The text is tiny and cant be made larger - a terrible shame as it looks like a great subject

0 of 0 people found the following review helpful.
Obscure racers.
By Montnoveau
I have always been a sucker for the obscure. Here are some of the obscure projects of last 20 years presented.

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Jumat, 10 Juni 2011

[R463.Ebook] Download The Wall: Growing Up Behind the Iron Curtain (Caldecott Honor Book), by Peter Sís

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The Wall: Growing Up Behind the Iron Curtain (Caldecott Honor Book), by Peter Sís

A NEW YORK TIMES BEST SELLER

"I was born at the beginning of it all, on the Red side―the Communist side―of the Iron Curtain." Through annotated illustrations, journals, maps, and dreamscapes, Peter Sís shows what life was like for a child who loved to draw, proudly wore the red scarf of a Young Pioneer, stood guard at the giant statue of Stalin, and believed whatever he was told to believe. But adolescence brought questions. Cracks began to appear in the Iron Curtain, and news from the West slowly filtered into the country. Sís learned about beat poetry, rock 'n' roll, blue jeans, and Coca-Cola. He let his hair grow long, secretly read banned books, and joined a rock band. Then came the Prague Spring of 1968, and for a teenager who wanted to see the world and meet the Beatles, this was a magical time. It was short-lived, however, brought to a sudden and brutal end by the Soviet-led invasion. But this brief flowering had provided a glimpse of new possibilities―creativity could be discouraged but not easily killed.

By joining memory and history, Sís takes us on his extraordinary journey: from infant with paintbrush in hand to young man borne aloft by the wings of his art. This title has Common Core connections.

The Wall is a 2007 New York Times Book Review Best Illustrated Book of the Year, a 2008 Caldecott Honor Book, a 2008 Bank Street - Best Children's Book of the Year, the winner of the 2008 Boston Globe - Horn Book Award for Nonfiction, and a nominee for the 2008 Eisner Award for Best Publication for Kids.

  • Sales Rank: #62630 in Books
  • Brand: Farrar, Straus & Giroux
  • Published on: 2007-08-21
  • Released on: 2007-08-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.62" h x .43" w x 9.38" l, 1.27 pounds
  • Binding: Hardcover
  • 56 pages

From Publishers Weekly
Starred Review. Born out of a question posed to Sís (Play, Mozart, Play!) by his children (Are you a settler, Dad?), the author pairs his remarkable artistry with journal entries, historical context and period photography to create a powerful account of his childhood in Cold War–era Prague. Dense, finely crosshatched black-and-white drawings of parades and red-flagged houses bear stark captions: Public displays of loyalty—compulsory. Children are encouraged to report on their families and fellow students. Parents learn to keep their opinions to themselves. Text along the bottom margin reveals young Sís's own experience: He didn't question what he was being told. Then he found out there were things he wasn't told. The secret police, with tidy suits and pig faces, intrude into every drawing, watching and listening. As Sís grows to manhood, Eastern Europe discovers the Beatles, and the Prague Spring of 1968 promises liberation and freedom. Instead, Soviet tanks roll in, returning the city to its previous restrictive climate. Sís rebels when possible, and in the book's final spreads, depicts himself in a bicycle, born aloft by wings made from his artwork, flying toward America and freedom, as the Berlin Wall crumbles below. Although some of Sís's other books have their source in his family's history, this one gives the adage write what you know biting significance. Younger readers have not yet had a graphic memoir with the power of Maus or Persepolis to call their own, but they do now. Ages 8-up. (Aug.)
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From Booklist
*Starred Review* In an autobiographical picture book that will remind many readers of Marjane Satrapi's memoir Persepolis (2003), Sís' latest, a powerful combination of graphic novel and picture book, is an account of his growing up in Czechoslovakia under Soviet rule. Written in several stands, the somewhat fragmented narrative never dilutes the impact of the boldly composed panels depicting scenes from Sís' infancy through young adulthood. Throughout, terrific design dramatizes the conflict between conformity and creative freedom, often through sparing use of color; in many cases, the dominant palette of black, white, and Communist red threatens to swallow up young Peter's freely doodled, riotously colored artwork. The panels heighten the emotional impact, as when Sís fleeing the secret police, emerges from one spread's claustrophobic, gridlike sequence into a borderless, double-page escape fantasy. Even as they side with Peter against fearsome forces beyond his control, younger readers may lose interest as the story moves past his childhood, and most will lack crucial historical context. But this will certainly grab teens—who will grasp both the history and the passionate, youthful rebellions against authority—as well as adults, many of whom will respond to the Cold War setting. Though the term picture book for older readers has been bandied about quite a bit, this memorable title is a true example. Mattson, Jennifer

Review

“The ecstatic energy and big-spirited inventiveness of the artist's drawings make the once all but unimaginable realization of that dream visible for all to see.” ―The New York Times Book Review

“Sís' most ambitious and personal book.” ―USA TODAY

“A sophisticated and sobering picture book exposé.” ―The San Francisco Chronicle

“The Wall makes for irresistible reading.” ―Washington Post Book World

“Mr. Sís's account belongs as much in the living room as it does in the nursery.” ―The Wall Street Journal

“Peter Sís [is a] master of the not-necessarily-for-children picture book.” ―The Los Angeles Times Book Review

“Peter Sís's The Wall... may be his finest book to date - no small feat.” ―The Boston Globe

“Glorious artwork.” ―Elle

“Will both engross and haunt his audience.” ―Starred, The Bulletin of the Center for Children's Books

“Complex, multifaceted, rich in detail . . . [Sís's] concluding visions of freedom are both poignant and exhilarating.” ―Starred, School Library Journal

“A masterpiece for readers young and old.” ―Starred, Kirkus Reviews

“Younger readers have not yet had a graphic memoir with the power of Maus or Persepolis to call their own, but they do now.” ―Starred, Publishers Weekly

“The deployment of media choices and color throughout the book is both expert and telling: bold, stark black marker for an invading Soviet tank, dreamy blue crayon for the night the Beach Boys played Prague . . . a comprehensive portrait of an era, an artist, and the persistence of the latter in the face of the former.” ―Starred, The Horn Book

“A powerful combination of graphic novel and picture book . . . Terrific design dramatizes the conflict between conformity and creative freedom.” ―Starred, Booklist

“Simply and effectively illustrates the history of Czechoslovakia's struggle with totalitarianism and evokes the dreams of his repressed people.” ―VOYA

“This stunning book is a MUST for anybody who is curious to learn about the world we live in!” ―Milos Forman, Oscar winning-director of Amadeus, One Flew Over the Cuckoo's Nest

“Peter Sís's book is most of all about the will to live one's life in freedom and should be required reading for all those who take their freedom for granted.” ―Václav Havel, former president of the Czech Republic

“Peter Sís, who has entranced children and adults with his magical stories and drawings, has taken his talent to a new level. Peter, born to dream and draw, is now also teaching the tragic history of his native Czechoslovakia under communism in this beautiful, poignant, and important work for those of all ages. ” ―Madeleine Albright, former U.S. Secretary of State

“This extraordinary achievement is a powerful reminder of the hard-won freedoms that drew so many to this country's shores.” ―Shelf Awareness

Most helpful customer reviews

25 of 26 people found the following review helpful.
Not only for children...
By Karel Kriz
Not only for the children:

Everybody is familiar with the saying "we take certain things, like freedom for granted". Peter Sis' book is about living in a country where this self-evident asset did not exist. Bear in mind, the author does not write about some high ideas whose proclamations would endanger the state. He is talking about criticizing government actions within a scope of a neighborly gossip - one cannot complain about the shortages of particular goods, telephones are bugged, certain books and films are banned, press, art and whole culture are censored, foreign radios are jammed, letters are opened and censored, informers are rewarded for snooping etc. "Yes", some readers might say "we already read about it so many times, and the cold war ended seventeen years ago". Of course, books were written about it and some adults even read it, but what is new about this book is its target. It is aimed for the children. The author, a world famous children books illustrator was born in former Czechoslovakia under the Communist regime and he presents the way of life during that terrible period as seen with the children eyes. The book is illustrated with the child -like, but artistic drawings. One might classify it as Comics for the gifted children. Since the facts are refined by the child lenses, I would recommend to read it together with the parents and I am certain that both sides will benefit. Specifically two chapters titled "From my Journals", where the necessary historical ,political events are recorded, could be fully understood only by the High school and higher up students. Since I lived under that system during my adolescence years I could testify for the accuracy of the facts with the understandable omission of the gruesome show trials, where the innocent people were sent to gallows or to heavy imprisonment in the concentration camps. We are aware that it is for the children and we hope that they will learn from it more than our generation did from the books for the adults.
I could voice only one critical comment. The author did not explain how this system came to power as experienced by a common man. Especially the children are prone to follow the logic of the "good guys" against the "bad ones". In general it followed the same path as any would-be totalitarian system. The Communist Party did not proclaim its final goal: total power. In the transient democratic period it promised to the masses essentially a heaven on the earth, for any problem, however complicated offered simple solution, in other words they pretended to be "good guys" and they succeeded... Once in power the Communists simply did not allow any free elections. Of course they were helped by the threat of the Soviet invasion, which had to come anyway many years later. This way presented lesson could help better to-days children to orient in the politics around us.
I strongly recommend this book as an educational and entertaining medium for the whole family.

Karel Kriz,
Boulder,CO

40 of 50 people found the following review helpful.
Scale it
By E. R. Bird
Totalitarian regimes make for good children's books. They just do. What could be more inherently exciting plot-wise than a world in which you never know who to trust? Where children report parents to the police and freedom and creativity are stifled under the boots of oppressors? That makes for good copy. This year alone we've the Cultural Revolution book, Revolution Is Not a Dinner Party by Ying Chang Compestine and the much discussed Peter Sis title, "The Wall: Growing Up Behind the Iron Curtain." "The Wall" brings together your standard gorgeous Peter Sis imagery with content that is sure to cause debate and interest. Though it's not a book I would necessarily site as a personal favorite and that I have a couple issues with, I appreciate that Sis has created something worth discussing with kids, teens, and adults alike.

He was born at the very beginning of The Cold War in Czechoslovakia. A kid with a penchant for drawing, right from the start, we watch as the growth of young Sis is paralleled with the rise of fear in his nation. Peter draws at home and at school and alongside this story we read of the compulsory and discouraged actions both required and prohibited by the government. The drawn sections are broken up by journal entries Sis wrote at the time, reflecting his beliefs and dreams. With the late 1960s, Sis was entranced by Western influences, a dangerous thing at the time. Near the end, Sis dreams of flying away above it all with wings made out of his art. His escape is cemented by the fall of the Berlin wall in 1989 and an Afterword explains how he left and what Prague is like now.

This is certainly an earnest book. Not humorless, but certainly gung ho in its love of all things American. It's difficult to criticize a book on that basis since what Sis has gone through is unlike anything I could understand or appreciate. The book feels like a cathartic release but it lacks distance. There's a danger of the author being almost too close to his material. Compare "The Wall" to Persepolis and you see the difference. The content is similar but the approach varies wildly. Satrapi is part of the story and, at the same time, removed. She doesn't simplify the story into strict terms, but instead allows the audience to draw their own conclusions based on the information she presents to you. I just don't feel that Sis has done that here. He tells you what to think of the subject matter and when to think it. For example, without batting an eye he suggests that Europe is said to contain, "Truth. Integrity. Honor. Liberty. Virtue," etc. while on the East side of the Berlin Wall there is only, "Envy. Stupidity. Lies," and so forth. He has every right to do so, particularly when you consider that this may be an image of what the young Sis believed lay in the West rather than what was really there. Unfortunately, as it currently stands, the image suggests that the readership not draw their own conclusions and accept the "Virtue" on top of Western Europe and the "Envy" on top of the Eastern half. Even the oppressors are featured with pig noses rather than looking like average everyday joes. How much more interesting it might have been to make the bad guys as human as the good guys. How much more interesting if, like Satrapi, he'd been able to take that one baby step backwards and not tell us what to believe.

Audience has never bothered Peter Sis, so I doubt we should let it bother us either. To my mind, this book is ideal for high school students. You can teach and teach the Cold War to them all day, but unless they get a little primary source material presented in an interesting fashion, who knows how much information they're actually going to take in? Kids might like this book, but they probably won't be able to understand the journal passages. I appreciated that Sis did find a way to make the book kid-friendly, though. At the bottom of each page are sections that can be read to kids and that make sense of young Peter's life. It's only when you read the captions that pop up on the sides of these pictures that you understand the background behind such innocuous statements as, "He didn't question what he was being told."

The journal passages were especially interesting to me. I liked the photographs of young Sis (particularly the hunky mop top with the raised eyebrow) and the glimpses of his art surrounding these passages. It was particularly interesting that Sis' professor at the Academy of Applied Arts was Adolf Hoffmeister who wrote "Brundibar". I wonder now how Sis felt about the Tony Kushner/Maurice Sendak picture book version of that tale. The information and details found in these journals just about make up for the lack of a Bibliography in the back. I suppose that since this is a first-hand account, Sis didn't need to scout out kid-friendly sources to give some context to his lesson. Still, that means that we're being told what to think about these events without a secondary source of any sort. It would be nice if kids were able to learn more about these times on their own, say, with a list of useful websites or books on the subject. I've been discussing whether or not Bibliographies are necessary in picture books. Maybe not always, but if I'm going to recommend this book to teens as well as kids as a bit of non-fiction (and the Dewey call number is 943.704092, after all) then I'm going to want some secondary sources.

The comic book bloggers have been calling this book a picture book graphic novel, and have claimed "The Wall" as their own. It's a very interesting take. At first glance I just assumed that this story was similar in its layout and structure to the Galileo and Darwin books Sis has put out before. And it is, in a way, but then I took a closer look at the structure. Though this is not the case on every page, the art is consistently broken into panels. There aren't speech balloons or much in the way of text integrated within the pictures. Because the words surround the pictures, the eye has something to dance between. The tiny dot style Sis employs here works beautifully within the context of the story. Colors stand out against a black and white background. With the exception of the color red, nothing in Prague is allowed to be colorful. Only Westernized objects and ideas appear in anything but pen and ink. The two-page multi-colored spread of the Spring of 1968 (shown here) stands in sharp contrast to the red-infused earlier spread of Stalinism and its ilk.

Sis hasn't won a Caldecott Award proper quite yet. He's been honored for Tibet Through the Red Box and Starry Messenger (not The Tree of Life, bizarrely) but "The Wall" is bound to be the best bet he's had yet. It's a beautiful book and no one is going to contest that. Shoot, it's already gotten at least four starred reviews in professional journals and is bound to garner some more. Come award season it'll sweep the nominations and everyone will get to hear a lovely Peter Sis speech (he's a very good public speaker) and it will all be lovely and droll. I don't object to the book winning, but I do wish the heavy hand guiding it could have trusted the audience a little and not spelled out its message quite so blatantly (i.e. "America to the rescue"). It's quite an accomplishment but one that could have stood a drop of irony in the mix.

10 of 11 people found the following review helpful.
mommyreader
By Jayne
This wonderful book manages to be both creative and insightful, documenting life behind the Iron Curtain during the Cold War in words and graphic design. Peter Sis's use of color in his intricate illustrations highlights and enhances the matter-of-fact language of his text. He has managed to create a journal, biography, and social/historical commentary that is fascinating reading for older children and adults alike.

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Researching Second Language Classrooms (ESL and Applied Linguistics Professional Series), by Sandra Lee Mckay

This text introduces teachers to research methods they can use to examine their own classrooms in order to become more effective teachers. Becoming familiar with classroom-based research methods not only enables teachers to do research in their own classrooms, it also provides a basis for assessing the findings of existing research. McKay emphasizes throughout that what a teacher chooses to examine will dictate which method is most effective. Each chapter includes activities to help readers apply the methods described in the chapter, often by analyzing research data.

*Chapter I, Classroom Research, introduces the reader to major research purposes and research types as they relate to classroom research, the distinction between quantitative and qualitative research, the formulation of research questions and research designs, and ethical issues in research.
*Chapter II, Researching Teachers and Learners, presents research methods that can be used to examine teachers' and learners' attitudes and behaviors: action research, survey research, interviews, verbal reports, diary studies, case studies, and ethnographies.
*Chapter III, Researching Classroom Discourse, deals with methods that can be used to study the oral and written discourse of classrooms: interaction analysis, discourse analysis, text analysis, and ways to examine the social and political assumptions underlying the choice and presentation of content in second language teaching materials.
*Chapter IV, Writing Research Reports, provides guidelines for both thesis writing and journal articles.

Researching Second Language Classrooms is an ideal text for TESOL research methods courses and an essential resource for inservice teachers who wish to undertake classroom research.

  • Sales Rank: #914019 in Books
  • Brand: Brand: Routledge
  • Published on: 2006-01-20
  • Released on: 2006-03-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .45" w x 6.00" l, .73 pounds
  • Binding: Paperback
  • 192 pages
Features
  • Used Book in Good Condition

Review

...An excellent introduction to research methods and issues related to second language teaching and learning. Sandra McKay has successfully applied her expertise in research methodology and her rich, diverse experience in teacher education to produce a volume that offers sound and practical advice for novice researchers.
—Christine Goh
National Institute of Education, Nanyang Technological Institute, Singapore

This is a most welcome book in every respect....an excellent resource for teachers in training and practicing teachers.
—Brian Morgan
York University

Most helpful customer reviews

0 of 0 people found the following review helpful.
A must to read book by students in higher studies
By Abdullah
This book sets up the frame of the student's knowledge about research methods in applied linguistics. It is a very essential textbook for students who wish to learn about carrying out an MA thesis or a mini-research paper.

0 of 0 people found the following review helpful.
Five Stars
By Joann G. Torres
The book arrived quickly and met the guidelines of the class.

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