Minggu, 29 Januari 2012

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The Year of the Flood, by Margaret Atwood

Set in the visionary future of Atwood’s acclaimed Oryx and Crake, The Year of the Flood is at once a moving tale of lasting friendship and a landmark work of speculative fiction. In this second book of the MaddAddam trilogy, the long-feared waterless flood has occurred, altering Earth as we know it and obliterating most human life. Among the survivors are Ren, a young trapeze dancer locked inside the high-end sex club Scales and Tails, and Toby, who is barricaded inside a luxurious spa. Amid shadowy, corrupt ruling powers and new, gene-spliced life forms, Ren and Toby will have to decide on their next move, but they can't stay locked away.

  • Sales Rank: #23308 in Books
  • Published on: 2010-07-27
  • Released on: 2010-07-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .90" w x 5.20" l, .75 pounds
  • Binding: Paperback
  • 448 pages

Amazon.com Review
Book Description
The long-awaited new novel from Margaret Atwood. The Year of the Flood is a dystopic masterpiece and a testament to her visionary power.

The times and species have been changing at a rapid rate, and the social compact is wearing as thin as environmental stability. Adam One, the kindly leader of the God's Gardeners--a religion devoted to the melding of science and religion, as well as the preservation of all plant and animal life--has long predicted a natural disaster that will alter Earth as we know it. Now it has occurred, obliterating most human life. Two women have survived: Ren, a young trapeze dancer locked inside the high-end sex club Scales and Tails, and Toby, a God's Gardener barricaded inside a luxurious spa where many of the treatments are edible.

Have others survived? Ren's bioartist friend Amanda? Zeb, her eco-fighter stepfather? Her onetime lover, Jimmy? Or the murderous Painballers, survivors of the mutual-elimination Painball prison? Not to mention the shadowy, corrupt policing force of the ruling powers...

Meanwhile, gene-spliced life forms are proliferating: the lion/lamb blends, the Mo'hair sheep with human hair, the pigs with human brain tissue. As Adam One and his intrepid hemp-clad band make their way through this strange new world, Ren and Toby will have to decide on their next move. They can't stay locked away...

By turns dark, tender, violent, thoughtful, and uneasily hilarious, The Year of the Flood is Atwood at her most brilliant and inventive.

Margaret Atwood on The Year of the Flood

I’ve never before gone back to a novel and written another novel related to it. Why this time? Partly because so many people asked me what happened right after the end of the 2003 novel, Oryx and Crake. I didn’t actually know, but the questions made me think about it. That was one reason. Another was that the core subject matter has continued to preoccupy me.

When Oryx and Crake came out, it seemed to many like science fiction--way out there, too weird to be possible--but in the three years that passed before I began writing The Year of the Flood, the perceived gap between that supposedly unreal future and the harsh one we might very well live through was narrowing fast. What is happening to our world? What can we do to reverse the damage? How long have we got? And, most importantly--what kind of "we"? In other words, what kind of people might undertake the challenge? Dedicated ones--they’d have to be. And unless you believe our planet is worth saving, why bother?

So the question of inspirational belief entered the picture, and once you have a set of beliefs--as distinct from a body of measurable knowledge--you have a religion. The God’s Gardeners appear briefly in Oryx and Crake, but in The Year of the Flood, they’re central. Like all religions, the Gardeners have their own leader, Adam One. They also have their own honoured saints and martyrs, their special days, their theology. They may look strange and obsessive and even foolish to non-members, but they’re serious about what they profess; as are their predecessors, who are with us today. I’ve found out a great deal about rooftop gardens and urban beekeeping while writing this book!

Another question frequently asked about Oryx and Crake concerned gender. Why was the story told by a man? How would it have been different if the narrator had been a woman? Such questions led me to Ren and Toby, and then to their respective lives, and also to their places of refuge. A high-end sex club and a luxury spa would in fact be quite good locations in which to wait out a pandemic plague: at least you’d have bar snacks, and a lot of clean towels.

In his book, The Art Instinct, Denis Dutton proposes that our interest in narrative is built in--selected during the very long period the human race spent in the Pleistocene--because any species with the ability to tell stories about both past and future would have an evolutionary edge. Will there be a crocodile in the river tomorrow, as there was last year? If so, better not go there. Speculative fictions about the future, like The Year of the Flood, are narratives of that kind. Where will the crocodiles be? How will we avoid them? What are our chances? --Margaret Atwood

(Photo © George Whiteside)

From Publishers Weekly
Starred Review. SignatureReviewed by Marcel TherouxIn her 2002 speculative novel, Oryx and Crake, Margaret Atwood depicted a dystopic planet tumbling toward apocalypse. The world she envisaged was in the throes of catastrophic climate change, its wealthy inhabitants dwelling in sterile secure compounds, its poor ones in the dangerous pleeblands of decaying inner cities. Mass extinctions had taken place, while genetic experiments had populated the planet with strange new breeds of animal: liobams, Mo'Hairs, rakunks. At the end of the book, we left its central character, Jimmy, in the aftermath of a devastating man-made plague, as he wondered whether to befriend or attack a ragged band of strangers. The novel seemed complete, closing on a moment of suspense, as though Atwood was content simply to hint at the direction life would now take. In her profoundly imagined new book, The Year of the Flood, she revisits that same world and its catastrophe. Like Oryx and Crake, Year of the Flood begins just after the catastrophe and then tracks back in time over the corrupt and degenerate world that preceded it. But while the first novel focused on the privileged elite in the compounds and the morally bankrupt corporations, The Year of the Flood depicts more of the world of the pleebs, an edgy no-man's land inhabited by criminals, sex workers, dropouts and the few individuals who are trying to resist the grip of the corporations.The novel centers on the lives of Ren and Toby, female members of a fundamentalist sect of Christian environmentalists, the God's Gardeners. Led by the charismatic Adam One, whose sermons and eco-hymns punctuate the narrative, the God's Gardeners are preparing for life after the prophesied Waterless Flood. Atwood plays some of their religion for laughs: their hymns have a comically bouncing, churchy rhythm, and we learn that both Ren and Toby have been drawn toward the sect for nonreligious reasons. Yet the gentleness and benignity of the Gardeners is a source of hope as well as humor. As absurd as some of their beliefs appear, Atwood seems to be suggesting that they're a better option than the naked materialism of the corporations.This is a gutsy and expansive novel, rich with ideas and conceits, but overall it's more optimistic than Oryx and Crake. Its characters have a compassion and energy lacking in Jimmy, the wounded and floating lothario at the previous novel's center.Each novel can be enjoyed independently of the other, but what's perhaps most impressive is the degree of connection between them. Together, they form halves of a single epic. Characters intersect. Plots overlap. Even the tiniest details tessellate into an intricate whole. In the final pages, we catch up with Jimmy once more, as he waits to encounter the strangers. This time around, Atwood commits herself to a dramatic and hopeful denouement that's in keeping with this novel's spirit of redemption.Marcel Theroux's most recent novel, Far North, was published by Farrar, Straus & Giroux in June.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
In her new novel, Atwood returns to the post-apocalyptic mode of her 2003 book, “Oryx and Crake,” with the story of two women isolated as a genetically engineered plague destroys mankind. Both women have been members of God’s Gardeners, an eco-cult that has long prophesied retribution for society’s apathy and selfishness, and while they wait for signs of life from the outside they spend their days remembering past loves and not-quite-healed wounds. Atwood’s gallows humor is appealing—one of the women joins the cult in order to escape the abusive manager of a human-meat burger joint—and her complex characterization allows the novel’s environmental, Biblical, and sociological themes to intertwine seamlessly.

Most helpful customer reviews

246 of 260 people found the following review helpful.
Margaret Atwood makes me want to stick my head in the sand...
By Susan Tunis
I know that sounds bad, but her dystopian visions are so profoundly disturbing, I find they influence my thinking forever after. Say what you will--her nightmares are not easy to dismiss!

Readers of 2003's Oryx and Crake will recognize the world of The Year of the Flood. Neither a prequel nor a sequel, the latter is more of a companion novel. It's set in the same world, covering roughly the same time span. Whereas Oryx and Crake was a post-apocalyptic narrative told from Jimmy's point of view, here the narrators are Toby and Ren. Jimmy, Oryx, and Crake make appearances in this novel, and readers of both books will discovered minor characters from the former novel are major characters in the latter. In short, the two are intertwined, but may be read in any order. It is not necessary to have read Oryx and Crake first, though ultimately reading them both is an immensely satisfying experience, shedding light on many aspects of the story being told.

Now to the story...Toby and Ren have both spent significant portions of their lives involved with a fringe religious group called God's Gardeners. Ren was brought to the ascetic group as a child by her mother. Toby found her way there out of desperation in adulthood. Each has professed disbelief in the tenets of the religion, but the pacifistic and environmental teachings have become deeply ingrained in both. At the opening of the novel, it is Year Twenty-Five in the God's Gardeners' calendar; the Year of the Waterless Flood.

From the beginning, the group's prophet-like leader had preached that a "waterless flood" was coming to wipe out humanity. In addition to their dogmatic environmentalism, the group believed in preparing for this flood with survival skills and food caches called "Ararats." The predicted day has come in the form of a global pandemic. Society has broken down completely. From their respective places of isolation, each woman wonders if she may be the last human left and struggles to survive in this altered world.

As everyone knows, there's nothing like apocalypse to make a person introspective. As each woman reflects upon the ups and downs of her life with the Gardeners and beyond, the reader gradually gleans a fuller picture of the world these women lived in, their individual and joint histories, what led to cataclysm, and what has ultimately happened to the world.

As one might expect from Atwood, The Year of the Flood is a beautiful telling of an ugly story. And what a story it is! In addition to being very much a novel of ideas, it is an utterly un-put-downable page-turner! It's a quick read, with short chapters and lots of white space on the pages. The novel flies by. The ending is satisfying and unsatisfying at once. It sheds some light on Oryx and Crake's enigmatic conclusion and completes this arc of the story, but leaves this reader very much hoping for a final volume of this rumored trilogy.

74 of 80 people found the following review helpful.
Waiting for Pandemic
By M. Feldman
In Margaret Atwood's three compelling and quite different visions of an apocalyptic future, some things never change. There are always the powerful corporations intent on obtaining profit from every human desire: the Soul Scrolls of "The Handmaid's Tale," which turn prayer into a commodity; the Secretburger franchises of "The Year of the Flood," which dispense cheap burgers of dubious provenance. The environment is always degraded, resulting in a precipitous drop in the birth rate ("The Handmaid's Tale") and the terrifying daily thunderstorms of "The Year of the Flood." In all three stories, there is an Orwellian social structure: a tiny elite intent both on holding power at all costs and on a comfortable, even luxurious, life style; a larger group of terrified, obedient mid-level party/corporate functionaries; and a vast underclass that lives in squalor and in violence---the "pleeblands" of her newest novel. And, most important to all three dystopias, there are cold, brutal men with the most up to date weapons "who make sure--successfully, until the global pandemics in both "Oryx and Crake" and "The Year of the Flood" nearly destroy the human race-- that everyone is terrorized and that power remains with the corporate elites.

Thus, it's quite amazing that her newest dystopia is so different, so inventive, and so convincing, even though elements of "The Year of the Flood" overlap with those in "Oryx and Crake" and the novels are set in parallel, time-wise, with a male protagonist in "Oryx" and two female protagonists, Toby and Ren, in "Flood." Completely original and central to "Flood" is the made-up religion (complete with made-up hymns) of Gods Gardeners, led by its fatherly chief composter, sermonizer, and philosopher, Adam One. He's a wonderful pastiche, equally earnest and ridiculous--straight out of the pages of "Mother Earth News." The characterizations of the rest of the Gardeners, the numbered Adams and Eves, are equally tender, as they tend their bees and mushrooms and the rooftop garden and patiently store away supplies in hidden "Ararats" for the calamity they know is coming. Unlike Orwell's degraded masses, these proles are full of hope. Don't miss this newest Atwood. She can put a plot together better than just about anyone, and the coalescing threads of this one kept me reading until midnight as the world came to an------well, not exactly, and not in the way you might think. Apocalypse, as constructed by Atwood, is never predictable, always astonishing, and certainly not impossible.

80 of 92 people found the following review helpful.
I'm in the minority but....
By Holly
I'm definitely in the minority here, but I didn't love this novel. I didn't hate it either and I did finish it, but it didn't grab hold of me like some books do. I read "Handmaid's Tale" many, many years ago and it's one of those books I held on to ever since. I didn't feel the same way about this one.

Set in a future time period (year unspecified), the earth has largely been decimated - many animal species are extinct, there are deserts where none existed before and the human population has largely segregated itself into subgroups that have very little interaction between them. With this situation, a pandemic (the waterless flood) takes place which wipes out most of the human race. The novel follows two primary characters, both female, as they try to survive in this post-apocalyptic era. Both women share their stories via memories of what their lives were like prior to the pandemic. It took me a long time to read this book since I wasn't totally involved and I think that is for three basic reasons:

1) I never really cared about the characters. They went through lots of horrific events and yet I just didn't seem to get emotionally involved with them
2) By the end of the book, there were too many coincidences where things just fell neatly into place. It just seemed too tidy for me.
3) The names of the animals and future inventions were too "cutsy" and rather than seeming clever, just seemed over-done.

Again, I didn't hate the book and I'm glad I read it, but it won't be something I re-read in the future.

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Sabtu, 28 Januari 2012

[A505.Ebook] Ebook Free BUG New Zealand: The backpackers ultimate guide (Backpackers' Ultimate Guidebook: New Zealand), by Tim Uden

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BUG New Zealand: The backpackers ultimate guide (Backpackers' Ultimate Guidebook: New Zealand), by Tim Uden

  • Sales Rank: #6120943 in Books
  • Brand: Brand: Bug Backpackers Guide
  • Published on: 2005-05
  • Original language: English
  • Number of items: 1
  • Dimensions: .63" h x 5.54" w x 8.18" l,
  • Binding: Paperback
  • 284 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

4 of 4 people found the following review helpful.
Only the Information We Backpackers Want and Not Pages of Stuff We Don't!
By James N Simpson
The BUG guides are simple to read, a lot thinner, less bulky and heavy than their competitors who keep adding fine dining, five star hotels and other stuff we backpackers never use (which makes a lot of difference when you have to lug the thing around an entire continent, or even in this case just New Zealand) and much better value. They give a description and rating on each hostel (they claim they do not accept free nights or money but who knows), as well as maps of hostel locations and travel company information.

You obviously won't agree with all their reviews of the accommodation but that's the backpacking scene. You can have a terrible experience at somewhere where someone else had one of the best stays of their life. Don't rely on this guide alone, ask other backpackers who have been to the destinations you are going where they stayed and what it was like. The more opinions you get the more likely you are to get a clearer picture.

Definitely get this over Lonely Planet and Let's Go, at least until they clean up their acts.

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Senin, 16 Januari 2012

[F602.Ebook] Download PDF Housing and Interior Design, Teacher's Resource CD, by Ed.D. and Carolyn S. Turner, Ph.D. Evelyn L. Lewis

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Housing and Interior Design, Teacher's Resource CD, by Ed.D. and Carolyn S. Turner, Ph.D. Evelyn L. Lewis

Residential Housing & Interior, 4th Edition Instructor's Resource CD Book ImageBy: Clois E. Kicklighter, Ed. D. and Joan C. Kicklighter ISBN: 978-1-59070-306-9 Copyright: ©2005 Provides useful instructional resources, ready to print, as you need them. All color transparencies and blackline reproducible masters are presented in PowerPoint format for easy classroom use. Related Web links allow you to connect to numerous online resources. Also included are lesson plans that you can quickly customize to make daily lesson planning easy. Also included on this CD is the ExamView Test Generator. System Requirements Windows 98 SE or later; Minimum 32 megabytes of memory (64 megabytes RAM recommended); Pentium 120 MHz processor or higher; Adobe Reader (also supplied on CD); PowerPoint® 97 or PowerPoint Viewer® 97 (also supplied on CD) or higher

  • Published on: 2012
  • Binding: CD-ROM

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This book examines the concept of queer theory and combines it with the field of diaspora studies. By looking at the queer diasporic narratives in and from the Caribbean, it conducts an inquiry into the workings and underpinnings of both fields.

  • Sales Rank: #5505244 in Books
  • Published on: 2013-10-21
  • Released on: 2013-10-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .50" w x 5.50" l, 1.25 pounds
  • Binding: Hardcover
  • 195 pages

About the Author
Dr Zoran Pecic is Lecturer in the Department of Culture and Identity at Roskilde University, Denmark. He has previously worked as an Associate Professor in the Department of English at Shantou University, China. He is currently conducting postdoctoral research on queer Chinese cinema.

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  • Sales Rank: #167930 in eBooks
  • Published on: 2012-09-26
  • Released on: 2012-09-26
  • Format: Kindle eBook

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please enter product description

  • Sales Rank: #5481795 in Books
  • Published on: 1984-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .48" w x 5.98" l, .70 pounds
  • Binding: Paperback
  • 212 pages

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  • Sales Rank: #563382 in eBooks
  • Published on: 2013-03-12
  • Released on: 2013-03-12
  • Format: Kindle eBook

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In what Stanley Hoffmann, writing in The New York Review of Books, has called a "fine analysis and critique of American targeting policies," Sagan looks more at the operational side of nuclear strategy than previous analysts have done, seeking to bridge the gap between theory and practice.

  • Sales Rank: #1890179 in Books
  • Brand: Brand: Princeton University Press
  • Published on: 1990-01-25
  • Released on: 1990-02-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .63" w x 5.00" l, .68 pounds
  • Binding: Paperback
  • 232 pages
Features
  • Used Book in Good Condition

From the Back Cover

"Sagan presents a succinct survey, enriched with original argument, of important themes in the development of U.S. nuclear doctrine in practice (as distinct from academic theory)."--Richard K. Betts, Senior Fellow, The Brookings Institution

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First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

  • Sales Rank: #2775119 in Books
  • Brand: Brand: Routledge
  • Published on: 1995-08-03
  • Released on: 1995-08-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .77" w x 5.50" l, .88 pounds
  • Binding: Paperback
  • 340 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

0 of 3 people found the following review helpful.
they would cause more harm to the very poor the authors seek to help
By Ralph Poore
Because author Gregg Barak on page 262 of his book described my analysis of one his articles as a “hatchet job,” by which I assume he means unfair criticism, I will respond to his remarks about my newspaper column from 1987.

Barak makes a number of errors in the single paragraph he devotes to responding to my column. He states that I devoted my “entire editorial” to critiquing his piece. In fact, my analysis appeared in my bylined column and not in an editorial. Columns are the opinion of the author. Editorials are the opinion of the newspaper and are unsigned.

(By the way, the “entire” column consisted of a mere 486 words, and I used nearly half that space presenting Barak’s points.)

As clearly stated on the column itself, I was then the editorial page editor of The Mobile Press, the afternoon edition of The Mobile Press Register, and not of the overall newspaper.

Barak says that his article was distributed “statewide,” but then seems to criticize me for commenting on it because it “had not been published within 150 miles of Mobile.” For those unfamiliar with Alabama geography, a distance of 150 miles from Mobile takes in almost the entire southern half of the state. Apparently, “statewide” distribution doesn’t include anywhere south of Montgomery, where Barak was stationed at the time.

Barak writes that whether my “remarks were correct is beside the point.” Perhaps that is because they were correct, but Barak doesn’t seem to concern himself much with accuracy or truth. Although he calls my analysis a “hatchet job,” he never states where my comments were unfair.

I will do something Barak did not do. I will provide you with my entire column so that you may decide for yourself if it is I or Barak who is guilty of a hatchet job. One interesting thing to note from the column: Barak’s outlandish prediction that “75 percent of all working Americans will be living in poverty by 2000.” The passage of time has put the lie to much of what Barak said.

Here is my column from June 28, 1987:

“Two Montgomery educators are distributing a fallacy-laden opinion article on the causes of poverty in Alabama to the state’s newspapers in the hope of generating support for their proposed solutions.

“If the proposals in the article were actually undertaken, they would cause more harm to the very poor the authors seek to help.

“The article was written by Gregg Barak and Charlotte Pagni. Barak has a doctorate in criminology and is chairman of the Department of Criminal Justice at Alabama State University in Montgomery. Charlotte Pagni has a master’s degree in film, is an educator and serves as the community relations coordinator for Aid to Inmate Mothers.

“Among the fallacies put forth by the authors are: More and more members of the middle class are slipping into poverty and becoming the ‘new poor;’ the number of poor is increasing rapidly; the state’s high infant mortality rate, high utility bills for the poor and low quality of social services result from rich landowners dominating Alabama politics; 75 percent of all working Americans will be living in poverty by 2000.

“Barak and Pagni assert that, ‘As the gulf between the “haves” and “have-nots” continues to widen, the only viable solution involves a fundamental redefinition of work and a redistribution of our resources.’

“Among the solutions proposed in the article are: construction of affordable housing, provision of health and child care, increasing the minimum wage, creation of more jobs and better education.

“Barak and Pagni never present any specific evidence to back up their broad generalizations about the ‘causes’ or scope of poverty in Alabama. Their generalizations, in fact, are a localization of the purported findings of some poorly done national studies. Those national studies—purporting to show that the middle class is declining, homelessness increasing, manufacturing disappearing, etc.—received a great deal of publicity when the findings were released.

“Those studies and findings have since been highly discredited because of faulty methodology and reasoning. That has not been well-publicized.

“Among the newest findings: When ranked by income, the middle three-fifths of the population receive about 52 percent of the total national income—a proportion virtually unchanged since 1947 when such statistics began being kept; for every 10 percent increase in the minimum wage, there is a loss of between 100,000 and 200,000 jobs; from 1981 through 1986, the proportion of all blacks who have jobs went up by 5.5 percent—while the increase for whites was only 2.5 percent.

“The coldness of poverty has but one cause: the lack of the heat of economic activity. The real power of a free market society is its ability to create wealth. Barak and Pagni don’t understand that and never touch on proposals that would create wealth and lift people from poverty. Instead, they propose merely the same old failed statist solutions of redistribution income.

“If Barak’s and Pagni’s proposals are ever adopted, then we will see a declining middle class.”

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